Spatial Cinematography: How Spatial Camera Systems, Non-Interactive Immersion and Production Workflows Impact VR Filmmaking

Immersive filmmaking in virtual reality is a rapidly evolving method of storytelling that combines traditional cinematic approaches with immersive and interactive technologies. This thesis researches the creative and technological challenges of producing VR films, particularly Spatial Camera Systems, Non-Interactive Immersion, and production Workflow. By dissecting these features through a role-specific lens, this thesis guides VR filmmakers, writers, designers, and technical teams, inspiring them to explore VR's innovative potential. All of this forms the basis for the term "Spatial Cinematography." This study emphasizes VR's creative capabilities, such as creating multi-branching storylines, assessing the level of interactivity, 3DOF vs. 6DOF immersive cinematic experiences, and using new media techniques, such as spatial sound, to invoke emotional responses from viewers. It also discusses the significance of directing audience attention in an immersive space while maintaining viewer autonomy and agency, a fundamental difficulty specific to immersive media. On the technical side, the study examines the selection of VR-specific camera systems, image stabilization, and upscaling techniques, ensuring smooth performance across various HMD platforms. It also offers best practices for production planning and efficient production workflows, drawing on practical insights from research and case studies. Actionable solutions for expanding the field of VR filmmaking can be accomplished by evaluating current limits – such as hardware constraints and accessibility issues – and current trends like AI-driven workflows for immersive experiences. This thesis aims to inspire filmmakers to embrace VR's potential and foster innovation and storytelling techniques that profoundly redefine audience engagement in this new, immersive narrative form.